Thursday, April 7, 2005
The shoddy material out of which Bush had designed his ad hoc power plays could be blasted by a pea shooter – which is a weapon much too mighty for the American press to manipulate. Pea shooters are partisan, and to be avoided. Rather, one treads a margin slightly to the left of Fox news, and more than slightly right of reality. And the policy still stands. And stands. Hence, perhaps, our ennui.
So instead of the NYT, we went to the Financial Times and read Adrian Turpin’s fascinating April fool’s day account of the Koestler Para-psychology unit at the University of Edinburgh
Here’s a description of the faculty:
“Caroline Watt, acting head, is a thoughtful, quietly spoken psychologist whose work includes studies on the childhoods of people who claim paranormal experiences and an investigation of ghostly incidents in Edinburgh’s underground vaults. One of three research fellows, Peter Lamont, is a former professional magician and the world expert on the Indian rope trick. Much of his work is about the history of deception. Fiona Steinkamp works part time. A philosopher, one of her interests is the possibility that humans can predict the future. Dr Paul Stevens, by contrast, trained as a physicist. His current research involves testing people to see whether their bodies react to the emotional state of a person in another room, then comparing this to the effects of very weak, low-frequency magnetic fields. Stevens is a science-fiction fan but engage him in debate and you realise he doesn’t have a credulous bone in his body. Together this small team supervises eight postgraduate students.”
How LI missed out on becoming a part of this team is a mystery to us. We’d be perfect for investigating the haunting of underground places.
The article does a nice job of condensing two decades of controversy about psi. Psi experiments are always, shall we say, unusual. This early experiment seemed allegorical, to our jaded eye, of the way contemporary capitalism works:
“The first Koestler professor arrived from America in December 1985. Robert Morris was a psychologist who had worked at Duke University in North Carolina under the famous paranormal researcher J.B. Rhine in 1960. There he had taken part in some unusual studies. In one, rats were tested for their psychic ability. Having heard stories of dogs that ran to their master every morning except on the day they were due to be put down, Morris decided to see whether a similar phenomenon could be observed in the lab.
"Sixteen rats were each released for two minutes into an 8ft x 8ft box marked with a grid of small squares. Notes were taken of how many squares each rat entered - a measure of how active they were. After this, eight of the rats were selected at random to be killed. “Half of the animals that lived were active enough to leave their original square,” Morris concluded, “whereas none of the animals that died showed such activity.”
That certainly sounds like the last part time job I had.
Wednesday, April 6, 2005
bellow is dead
There is nothing in Bellow that is as good, we think, as Invisible Man, or Gravity’s Rainbow, or Blood Meridian. But – and this is where the Faulkner comparison comes in -- Bellow really created an oeuvre, unlike Pynchon, Ellison, McCarthy, et al.
There is one thing about Bellow that we haven’t seen mentioned: Bellow operated as a counterweight to the suburbanization of the U.S. The hustlers that ring the changes in his novels are all incredibly urban – urban to the pores. They none of them long for the nirvana of the suburbs – the nirvana of being attached to the main only by highly guarded access routes: the highway, tv, the internet. Bellow’s people actually like the way the body can absorb the images of the crowd, they like the anecdote, they like character, they feel that this is living. Recently, we had to review the latest novel by Jonathan Safron Foer, a terrible mess that follows an implausible eight year old around New York City as he “investigates” a small mystery left to him by his dad, who was a victim of the 9/11 attack. I liked Foer’s first novel, which just skirted sentimentality by ingenious exaggeration. His second, though, achieves the intellectual level of a socially responsible book for the children of divorced parents, ages 5 to 8. It is, in other words, an utter disaster. Not content with simply milking 9/11 for easy tears as thin and tasty as those shed over some Hallmark get well card, Foer also goes on to milk the bombing of Dresden and Hiroshima. All the people that died, man. And all the cute kids they left behind. Don't those kids deserve hugs?
But what is most interesting about it is Foer’s complete and utter lack of interest in careers, in hustling, in deals. This is the genuine mark of suburbia – employment is what you go home from, you get away from. It is so boring to Foer. So boring that this happens: at a certain point in Foer’s novel, he asks us to believe that a character who only communicates by gestures and by two words tattooed on his hands rises through the ranks at a jewelry business in the fifties to become the owner of one. Except he doesn’t ask us to believe that – he throws the information in, in a couple of sentences, like catch up info in a daydream, so he can get on to the main business at hand: the utter cuteness of his main character, and how utterly bad it is that human beings die in bombings. So we are not left to ponder the idea that, in a business drenched in talk and dealing, a man who operates at, shall we say, a disadvantage rises effortlessly through the ranks. We aren’t left to ponder the world outside the airless vacuum of the progressive children’s story.
This is where Bellow has such authority – he does know how people rise through the ranks in America. He knows that it happens in broadly the same way in academia as in construction, or organized crime – he knows that there are betrayals everywhere, that there is sex everywhere, that there’s a hunger extending beyond the dinner table or the table at the best restaurants. He knows that money is power and joy and guilt, that it builds up from boys' treasure hunts to the moments of panic and exhilaration that put one person on the street and another in a spectacular office in a skyscraper. And he is after all that.
Tuesday, April 5, 2005
piss factory
We are interested in mentions of Dell, because more than once we’ve thought about applying for a line job there ourselves. Ten bucks an hour, and all the bad vibe labor atmosphere you could swallow – as many people who have worked at Dell have assured us. In general, we have a certain nostalgia for factory work, although nobody in our family (save a stray uncle) ever really went from (as Springsteen put it) the mansions of pain to the mansions of fear, or something like that. Any lefty is automatically interested in manufacture – wasn’t this, at one time, the key to our world, the commonality among the constituency? The key has been withdrawn, the constituency fucked over. Take the Amtrack from New York City to New Haven and it is like a Disney train touring the gutted factory exhibit. Anyway, we found the new Granta issue about factories interesting. Here’s the first graf of Luc Sante’s essay:
“I was fated to work in a factory. I was born in a Belgian textile-factory town, and my ancestors had worked in the mills for at least two or three centuries before I came along. Almost all of them were employed by Simonis, once the most prominent of many local makers of worsted cloth, now the world's leading manufacturer of billiard-table baize. It is very nearly the last survivor of a once-crowded industrial hub. My father managed to avoid working in the textile plants, but he couldn't help being employed by ancillary businesses; there wasn't anything else. When I was born he had been working for about five years in an iron foundry that made equipment for the plants. When the industry collapsed a few years later the foundry, like so many other local businesses, fell with it. We emigrated to the United States, where the initial promise of new and fulfilling employment soon gave way to uncertainty, then near-despair. Eventually my father was hired by yet another factory, which manufactured pipes and rods from a hard, resilient, slippery synthetic that for household applications is trademarked Teflon. He worked there until his retirement at the age of sixty-five. Immediately thereafter he began displaying symptoms of Parkinson's disease, unprovably but almost certainly the result of twenty-seven years' daily exposure to ambient powdered fluorocarbons. Dementia followed a decade later. His death at eighty came as a consequence of his refusing food and drink for a week, a mode of death known in nursing-home jargon as 'Alzheimer's suicide'.”
Sante’s description of working to pay for college at a plastics factory reminded me of one of my brother’s first gigs. He was around eighteen, and we were roommates – his first place outside my parents’ house. He’d gotten a job at a factory that made something – could it have been containers? I forget, now – that required immense amounts of cutting. Unfortunately, the workers, in order to endure the grinding tedium of the place, were almost always either stoned or drunk. This had a deleterious effect on their reaction time when it came to removing a limb or a hand from the way of a cutter – hence, your general OSHA meltdown. That job put me in a sweat – the more my brother worked there, the surer I was that he was going to become a victim. Luckily, he began to believe the same thing, and so he quit.
The bloody sacrifices of brain and body that have gone into building up an American governing class that has turned out to be as untrustworthy, incorrigibly rapacious, and utterly devoted to endless military aggression as has ours, in the age of Bush, makes for melancholic reflection. Unless you have strict periods in which you guillotine certain members of the ruling class to put the fear of God into them, they are useless -- apparently there is some pre-set program inside them that incites them, lemming like, to historic disasters. Perhaps it is the vast bad karma that floats up from all the cramped muscles, the boredom, the monkey-fying of the brain, the global effect of the system upon numberless bodies.
Two other grafs. This is after Sante’s description of working in the plastic factory:
“I was about to be sprung from my class status. My father worked in a factory, my parents owned a tiny house and a secondhand car, they were socially awkward and didn't speak very good English; I didn't really know what a rise in status would entail. I had no desire to work in finance or to join any clubs. All I knew was that I would be avoiding the sort of life to which my parents had been sentenced. Nevertheless, I referred to myself as working class, and was even more insistent about it in college, when I met kids from fancy backgrounds. This was partly in emulation of my proudly Socialist father, partly because I was an outsider in so many ways that I had no choice but to be defiant about it, and partly because it was 1972. Revolution, the great panacea of a few years earlier, had definitively been scratched, but hopes had not yet crumbled.
Neither had a certain romantic notion of the working class. The United States was famously supposed to be classless, of course, but then almost everybody knew better. In 1972 the working class (along with a few other more or less murky categories, such as 'street people' and 'our brothers and sisters in prison') was still being floated among middle-class would-be revolutionaries as an edifying model for imitation and as a permanent source of guilt. It was a bit complicated, because 'hard-hats', unassailably working class, had beaten up antiwar protesters on the streets of New York City and been hailed as pillars of the Silent Majority by Richard Nixon and Spiro Agnew. But there remained the lingering aura of the Wobblies, of the miners' strikes and auto-workers' strikes of the 1930s, as well as a cascade of images from the Paris Commune and the October Revolution and the Long March. We imagined basking in the radiance of that aura when we wore our blue chambray shirts and listened to the MC5, not suspecting that within a decade or two so much of American industry would be exported or terminated. Then the remnants of the working class would either be handed neckties and told they were middle class, or forced into fast-food uniforms and told they didn't exist.”
Note: the website has accidentally reproduced Sante’s article twice. Read it.
Sunday, April 3, 2005
Here lies the Coalheaver
Thomas Paine is a puzzle. We’ve been reading the American Crisis. Talk about your embedded reporter – Paine joined the Continental Troops in New Jersey and watched Howe’s troops march from New York City to Philadelphia, capturing the latter in 1777. As he puts it, beautifully, in the American Crisis, I:
'Tis surprising to see how rapidly a panic will sometimes run through a country. All nations and ages have been subject to them. Britain has trembled like an ague at the report of a French fleet of flat-bottomed boats; and in the fourteenth [fifteenth] century the whole English army, after ravaging the kingdom of France, was driven back like men petrified with fear; and this brave exploit was performed by a few broken forces collected and headed by a woman, Joan of Arc. Would that heaven might inspire some Jersey maid to spirit up her countrymen, and save her fair fellow sufferers from ravage and ravishment! Yet panics, in some cases, have their uses; they produce as much good as hurt. Their duration is always short; the mind soon grows through them, and acquires a firmer habit than before. But their peculiar advantage is, that they are the touchstones of sincerity and hypocrisy, and bring things and men to light, which might otherwise have lain forever undiscovered. In fact, they have the same effect on secret traitors, which an imaginary apparition would have upon a private murderer. They sift out the hidden thoughts of man, and hold them up in public to the world. Many a disguised Tory has lately shown his head, that shall penitentially solemnize with curses the day on which Howe arrived upon the Delaware.”
Now that is language for you. If there is any use to polemics, it is that they aid the “mind growing through a crisis” – they record that experience in garish knife strokes grooved into the mind, so it glows through the posterior amnesia that we’d like to settle down over the pains and gaps of the past, over the sheer excessive loss, over our overwhelming stupidity. It is curious to think that Paine should know this so well in 1777 – or so well in 1776, when he wrote Common Sense. Paine, after all, was a very recent immigrant from England, and had, until then, made a series of blunders both in Thetford, the village in which he grew up, and London, to which he immigrated in the vain hope of promoting himself, which included a failed marriage, various failed businesses, and little formal education. How he got his voice and his conviction is a bit of a mystery – or at least, to us, the inheritors of the monuments of the privileged classes and their shills, insofar as working class cultural zones open and close in history and leave dark tracks outside the main course of it layed down for those who know how to see it, or want to see it. Not that there is a complete divergence – quite the contrary, at crucial moments the natural order of things is shaken by lumpen or working class energy all the way to the top. But the top has amazing powers of recuperation, generates amazing tentacular re-births, and has to be chopped into bits by every succeeding generation all over again.
At Thomas Paine org there is a set of online bios, including one by Robert Ingersoll and one by Thomas Alva Edison. Conway’s bio, done in 1890, is very quaint. In this passage, a working class cultural zone is briefly glimpsed. The twenty seven year old Paine moves to the small English village of Lewes to take a government position there:
"Paine" was an historic name in Lewes also. In 1688 two French refugees, William and Aaron Paine, came to the ancient town, and found there as much religious persecution as in France. It was directed chiefly against the Quakers. But when Thomas Paine went to dwell there the Quakers and the "powers that be" had reached a modus vivendi, and the new exciseman fixed his abode with a venerable Friend, Samuel Ollive, a tobacconist. The house then adjoined a Quaker meetinghouse, now a Unitarian chapel. It is a quaint house, always known and described as "the house with the monkey on it." The projecting roof is supported by a female nondescript rather more human than anthropoid. I was politely shown through the house by its occupant, Mr. Champion, and observed in the cellar traces of Samuel Ollive's -- afterward Paine's -- tobacco mill. The best room upstairs long bore on its wall "Tom Paine's study." The plaster has now flaked off, but the proprietor, Mr. Alfred Hammond, told me that he remembers it there in 1840. Not far from the house is the old mansion of the Shelleys, -- still called "The Shelleys," -- ancestors of a poet born with the "Rights of Man," and a child of Paine's revolution. And -- such are the moral zones and poles in every English town -- here in the graveyard of Jireh Chapel -- is the tomb of William Huntington S. S. [Sinner Saved] bearing this epitaph:
"Here lies the Coalheaver, beloved of God, but abhorred of men: the omniscient judge, at the grand assize, shall ratify and confirm that to the confusion of many thousands; for England and its metropolis shall know that there hath been a prophet among them. W. H : S. S."
While Paine was at Lewes this Hunt alias Huntington was a pious tramp in that part of England, well known to the police. Yet in his rubbish there is one realistic story of tramp-life which incidentally portrays an exciseman of the time. Huntington (born 1744), one of the eleven children of a day-laborer earning from seven to nine shillings a week in Kent, was sent by some friends to an infant school.
"And here I remember to have heard my mistress reprove me for something wrong, telling me that God Almighty took notice of children's sins. It stuck to my conscience a great while; and who this God Almighty could be I could not conjecture; and how he could know my sins without asking my mother I could not conceive. At that time there was a person named Godfrey, an exciseman in the town, a man of a stern and hard-favoured countenance, whom I took notice of for having a stick covered with figures, and an ink-bottle hanging at the button-hole of his coat. I imagined that man to be employed by God Almighty to take notice, and keep an account of children's sins; and once I got into the market-house, and watched him very narrowly, and found that he was always in a hurry by his walking so fast; and I thought he had need to hurry, as he must have a deal to do to find out all the sins of children. I watched him out of one shop into another, all about the town, and from that time eyed him as a most formidable being, and the greatest enemy I had in all the world."
I've seen that exciseman. He operates as a narc, a counter-terrorist agent, and an advisor to Donald Rumsfeld.
Paine obviously comes out of the same roots that brought forth William Blake – and Shelley.
LI will have more to say about him in another post.
Saturday, April 2, 2005
The masons are in retreat
It seems like a good day to recall Pius IX.
Pio Nono, it is said, was a great favorite of the present Pope’s (present, as of today). This is no doubt why, in 2000, his beatification was set in motion. Commonweal at the time published an article (“No No Pio Nono” ) that began straightforwardly enough:
“Is Pope Pius IX, who occupied the throne of Peter from 1846 to 1878, with God? We certainly hope so. But is this author of the notorious "Syllabus of Errors" (1864), diehard defender of the papacy's temporal rule, unyielding foe of freedom of conscience, speech, thought, and religion, of Protestantism, ecumenism, and the separation of church and state, a figure to be singled out for public veneration by the Catholic church? Is this a man whose life and character should be celebrated and held up for imitation? And should he be yoked, in memory and honor, with Pope John XXIII who called the Second Vatican Council, in part, to heal the wounds that Pius spent much of his pontificate inflicting on the church and European society?”
In the same year, the Massachusetts Review published an article on the continuity between Pius IX and John Paul II: :A Nineteenth-Century Church for the New Millennium: The Legacy of Pius IX and John Paul II” by Bob Swacker and Brian Deimling. Pius IX was elected Pope two years before the appearance of the Communist Manifesto. He was, supposedly, a liberal. He turned out to be the most recalcitrant of reactionaries, and in nothing so reactionary as in his clinging to temporal power in Rome, however shrunken the territory. It was Pius IX who made the doctrine of papal infallibility official, thus setting up a paradox of performativity that even Austin could not untangle.
Here’s a nice summary of Pius IX’s work:
“Pius's great work was the Vatican Council he convened in 1870. Here was his chance to do battle with Voltaire, Locke, Marx, Mazzini, Darwin and all the others whose perfidious beliefs and theories challenged his worldview. He spent his entire papacy with the council's planning, building up the papacy to set this council apart from the counciliar tradition m which the bishops discussed and debated doctrinal questions. The Vatican Council would be completely dominated by the Bishop of Rome.
Pius had backed out on Mazzini in the 1848 nationalist attempt to unify Italy. A dozen years later he stood against Mazzini, Garibaldi, Cavour, and Victor Emmanuel when a united Italy was proclaimed, because it included the Papal States and had its eyes on Rome. When King Victor Emmanuel's popular plebiscite on the incorporation of Rome into Italy as the new capital (since 1862 it had been Florence) won 153,681 to 1,507 Pius petulantly retreated to the 108.7-acre Vatican enclave as a "prisoner." He lashed out, calling on Italians to boycott the new Italian government. (Neither he nor his successors left the grounds until the 1929 Lateran Accord with Mussolini "liberated" them and gave the Catholic Church educational access to the Italian public school system and Vatican control over public morals m Rome, as well as a significant indemnity. The price was a begrudging papal acceptance of the political reality of Italy.)
Always a supporter of religious freedom for Catholics, Pius signed an 1851 Concordat with Isabella II of Spain and a similar agreement in 1855 with Austria's Franz Josef opposing religious rights for anyone except Catholics. His opposition to democracy and republicanism provoked reaction in Western Europe where democratic impulses were gaining ground, and also in the United States where his opposition to public schools and the social work of Protestant benevolent associations intensified Nativist sentiments and anti-immigrant hostility. Needless to say, the pope opposed socialism and trade unionism.”
John Paul II obviously saw his own reflection in this predecessor, but the unfortunate constraints of modernity have kept the Church from pursuing the goal of religious and moral monopoly with quite Piux IX’s vigor.
When Andre Gide wrote the Cellars of the Vatican, he infused into it the pantomime conspiracy of Masons against Catholics – a conspiracy that was, nevertheless, firmly believed by Catholics in the nineteenth century. For Americans, who think of Masons as, vaguely, Shriners without the funny hats, or at best as the inspiration for the Magic Flute, this is preposterous – it is like supposing a conventicle of the Optimist Society pulled the strings to bring about the Cold War. But Pius IX’s supporters – his name rallies the anti-modernist faction in the Church – is still wary of those Masons.
And of course, Pius IX did have a problem with the Jews…
Piux IX died in 1878. Dead, he could be moved from the Vatican. When, however, his body was being transferred in a coffin on July 12, 1881, the procession was attacked by a Roman mob bent on tossing the late pontiff’s remains into the Tiber. They were repelled, eventually, which is why the remains could remain perfectly sweet, according to a report made to his beatification committee in 2000, as is befitting a saint.
Pius IX has good reason to smell sweet in 2005. The rise of anti-semitism is going along swimmingly. In Russia, an attack on an art exhibit that the Orthodox Church viewed as blasphemous has resulted in a fine – given to the artists. The United States, so influenced, at one time, by democracy, is settling down in a mix of oligarchy and theocracy, and has embarked on a crusade in the Middle East with very Christian overtones. Everywhere, the enemies of the church – Voltairism, tolerance, science – are in retreat. The Masons are fleeing.
Friday, April 1, 2005
4. "Right Reason is the perfect blog for the era of big government conservatives: it is bold, brassy, and speaks in talk radio vulgate for the vulgar." Here I am simply at a loss. Which posts resemble the speech of, say, Michael Savage?"
That said, we think Goss doesn't quite get LI's objection to what we have labeled the "factionalism" on display at RR. We don't object to a conservative analysis of, say, central elements in analytic philosophy -- or to simply making observations about analytic philosophy. Between that, however, and the question, "is analytic philosophy conservative?", there is a world of difference. The later question thrusts politics -- and identity politics, at that -- into a pre-eminence in a domain properly defined outside the political sphere that violates the precepts of the whole conservative tradition, which is about preserving the separation of politics and other domains of culture.
Once you make the move towards creating an identity politics out of conservatism, the voice will follow. No, not the voice of Michael Savage, the writers of RR surely are smarter than that, but certainly the tiresome voice of academic identity politics which filters down to the Savage level.
What instigated pouring out the vials of opprobrium on RR? It was a post entitled High Culture and Conservatism, which began:
"American political conservatives enjoy an uneasy relationship with high culture.
There are, of course, those who define their conservatism precisely in terms of high culture - of the preservation and transmission from past to future generations of "the best that has been thought and written."
But economic and religious conservatives might wonder what's in it for them. For it is far from obvious that the canonical works of literature, music and visual art are much help, on the whole, when it comes to defending the free market or the altar and hearth. It would be one thing if the canon consisted primarily in the holy scriptures of democratic capitalism and Christianity. But these days it is liable to incorporate Marx alongside Adam Smith and Nietzsche alongside the Bible.
Moreover, the present-day heirs of Matthew Arnold and T. S. Eliot who man the high cultural battlements, notably in the pages of The New Criterion, seem to have welcomed the whole of modernism into the keep. But, for better or worse, the average American political conservative has probably never even quite swallowed The Wasteland or Les Demoiselles d'Avignon. So is he at all likely to get much more out of the works of, say, Jackson Pollock or Willem de Kooning than he does out of Piss Christ or the chocolate-covered Karen Finley? Perhaps he may be forgiven for wondering whether he has much at stake in the struggle to defend traditions that culminate in the likes of abstract expressionism and serialism against the assaults of the postmodernist wreckers. Better, perhaps, to abolish the National Endowments altogether, defund college humanities divisions that seem to do nothing useful anyway, and head down to the NASCAR track, put on a Garth Brooks album, or take in a movie. After all, while Mel Gibson may not have the highest of brows, at least he can be counted on to fight the good fight for God and country, and to keep you awake while doing so."
This hairsplitting -- the economic conservatives, the political conservatives, and the conservatives that drive Candy Red Trans Ams - is very much what LI was talking about. And the idea that we dicker about High Culture with people who have no education in it, on the principle that, I suppose, education is unnecessary for an opinion in these things, was once labelled, by some conservative, the ideology of "trousered apes."
So: that's the bone we have to pick. Still, Max, who was nice enough to reply to us, was right to point out that, with the time and effort that goes into putting up a collective weblog, we were much too hasty in generalizing about it, and that it has more potential than we gave it credit for in our post -- we were attacking it as a stalking horse for all the sins of contemporary conservatism. Sorry, Max.